I am a post-dramatic mother of 2, a London-based continental and a professional atheist. I work at the intersection of live and video performance, filmmaking, collage art and analogue photography. Ultimately, I consider myself an editor of still and moving images, live and recorded.
My practice is interdisciplinary and confronts theories from theatre and performance studies, memory studies and feminist studies with ethnography and self-ethnography, with self-irony and irony in general, until and beyond the grotesque.
Judith Butler poses that “Laughter in the face of serious categories is indispensable for feminism”, and I argue that laughter in the face of serious categories is indispensable for art practices as well. Improvisation, serendipity and social engagement are at the very heart of my practice.